“EXPORTATION OF  CREOLISMUS” 
© 2015

By looking at the parallel lives of New Orleans native musicians Louis Moreau Gottschalk (1829-1869) and Charles Lucien Lambert (1828-1896) this paper explores the idea of “creolismus” as a nineteenth-century exportive musical commodity that was planted in North America, nurtured in Europe, and came into fruition in South America.